For now, we're just going to cover the basics of how Logic Pro's mixing interface works. We have tons of articles designed to help you hone your mixing chops. If you want to get the most out of mixing, be sure to check out some other articles and videos from Musician on a Mission. I recommend starting here. Whilst I think Garageband for iPad is a great tool and the samples you get with the music section from Justin Timberlake to mess around and be ‘creative' with, I think using loops available in Logic to make your own remixes or DJ tracks is a very creative use of tools that are available to you.
Dandy apple mac. Mastering in Logic Pro X is absolutely possible, even with just stock plugins!
Many get lost though. Not because they don't know, but because they don't know what they are aiming for. Perhaps you can relate.
This article should help you get going, so you can confidently make great sounding masters for your music.
I've broken it down into a series of actionable steps.
1. How To Prepares Your Mix(es)
There are many articles and cheat sheets out there that tell you things in absolutes like needing 6 dB of headroom and such.
In digital, that's not so important. All you need to do is make sure you have a great mix and that it's not clipping.
Now, knowing if your mix is great is a big challenge in itself. If you are confident, then just bounce it, and master it in a brand new session another day with fresh ears. Give your brain time to forget about it for a bit.
Openemu cover art. You might even to choose to take up to a week between mixing and mastering the same song, without once listening to the mix in between. Your call.
With regard to peak headroom, here is an article I wrote about it. The gist of it is that it doesn't matter, as you can adjust gain in the mastering session anyway. Just make sure there is a healthy amount of dynamics in the mix that is suitable for the music.
If you would like a general guideline, around 14 dB of difference between peak and RMS in the loudest moments in the mix is a good place to start. Peak headroom (space between peak value and 0 full scale) doesn't matter so much.
2. Calibrate Your Mastering Level
This bit is huge. Measuring EQ, dynamics, and loudness are not things you can rely solely on meters for. However, they can (and will) work as a supplement to your hearing, but nothing more than that.
This is why it's ever so important to calibrate your mastering level and stick to it. I wrote an easy-to-follow guide on how to do that using simply your ears, your amp/speakers, and Spotify.
3. Gain Stage Your Reference Track(s)
How to crop screen shot. Now that you have set up your monitoring level, you may also choose to use a reference track in the mastering session.
There is only one tip you need to know about using reference tracks…
Turn them down (or up) to your mastering level!
That way, there is no loudness bias between your master and the reference track.
The easiest way to do this is to use a gain utility on the reference track until it's playing back at your mastering level. Do this by ear and make adjustments along the way so that comparisons are always fair.
Remember, a slight difference in loudness also equates to a difference in how we perceive dynamics and frequency balance (EQ). It's just a psychoacoustic reality we have to deal with.
Want to learn more? Check out our Mastering in Logic Pro X Course.
4. Set The Ceiling
As you probably know, a limiter is very much a usual suspect in your mastering chain. Not because it makes things louder (because they don't) but because they allow you to adjust the gain of the track whilst retaining a peak ceiling. This means that if necessary, we can make it louder without clipping. This is the true purpose of a peak limiter.
Now, what I am going to advise here is to use Logic Pro X's Adaptive Limiter. Load it as the final plugin in your chain and set the ceiling to -1.0 with True Peak Detection turned on.
Now it's set up, you don't have to look at it again. You probably want to make sure it's not applying any extra gain by default, so make sure the gain dial is at 0dB.
5. Find Loudness
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This where we start to work backwards, at least as far as the order of plugins in your chain is concerned.
Before, I mentioned how playback volume has a huge bearing on how we perceive frequency balance and dynamics. This is where we work to minimise that variable.
Earlier, I shared this article on how to set up your monitoring level.
Now that's done, it's time to raise the mix to your playback level. You can do this by ear now, slowly turning up your mix via a gain stage before the limiter, until you start to feel it's loud enough for listening purposes.
6. Problem Solving
Now that you are close to the goal, any issues with regard to dynamics and EQ will start to make themselves apparent.
Now you can work your way back into the chain, tackling these specific issues. Such issues could be unbalanced frequencies, dynamics, or distortion at the limiter's ceiling.
Use the tools at your disposal to solve the problems. If there are no problems, have the courage to believe that and move onto the final step.
7. Bounce/Export
This is where you actually create the master files. Simply use the Bounce command in Logic Pro X and select the appropriate formats for where you want to submit your music.
Tip: If you are uploading your music to an online distributor or Soundcloud, definitely use WAVE (.wav) as your format. The platforms will encode it to their chosen lossy format (MP3, AAC, Ogg etc) on their end.
Tip: Dither your master. Don't worry so much about which dither. Any dither is better than truncation distortion! Use the launcher to start fortnite.
Want to learn more? Check out our Mastering in Logic Pro X Course.
Happy mastering!
There are lots of things to love about the Everyone Can Create curriculum that has been developed by Apple and ADEs. With resources around video, photography, music and drawing. I like lots of it. The music section focuses on Garageband but with Logic Pro being such a fantastic tool I thought I'd share a way of using it to be really creative so you can create DJ mixes.
Whilst I think Garageband for iPad is a great tool and the samples you get with the music section from Justin Timberlake to mess around and be ‘creative' with, I think using loops available in Logic to make your own remixes or DJ tracks is a very creative use of tools that are available to you.
As some of my readers will know, I enjoy DJing and used to DJ in house clubs and bars across Europe and beyond. To that end, I thought I'd share how you can use Logic Pro to make DJ mixes on your Mac.
Some key things to remember from the video tutorial below:
Add a marker by pressing Alt + ‘
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You can use songs you have purchased on iTunes or other download sites such as beatport.com.
You can listen to my full mix at https://www.mixcloud.com/DJMarkAnderson/goodness-i-miss-the-sunshine-mix/ How play minecraft on pc.
Logic Mixtapes
How to go back on imovie. I hope you enjoy the video!
